Built to be a fictional thriller, the book achieves just that. Set in an academic background, the story is woven around Professor Ravi Mohan Saini and his friends. Starting off with being accused of murdering his childhood best friend, Saini sets off on a soul stirring journey with his favorite student Priya Ratnani to set the wrongs done to him right. Zipping between Somnath, Mount Kailash, Agra, Lucknow, Chandigarh and many other cities, Saini discovers himself, his knowledge about the mythical, a few truths and many realities. He is joined by the tough cop Radhika who has her own reasons to bring every criminal to knees and to the altar of justice. Saini happens to be the prime suspect when it comes to the murders that are committed since the events present them that way. Since Priya helps Saini abscond in the first place, she goes on to become the second prime suspect.
Bringing in the character of Sir Khan, a dreaded underworld Mafia don and weaving his connection to the Krishna Key, Saini and Priya plays a very important part in paving the climax. What happens and how he is related to the Krishna Key is left up to the reader to read, imagine and relive the book as Ashwin had intended.
Ashwin Sanghi goes on to describe and uncover many of the facts that though were right in front of us, were never realized. The best being the discourse about why 108 is a God Number. He further goes on to uncover the truths to many of Mahabharata and Krishna related details and events. Delving deeper into the mind of the reader, playing and implanting the idea that Krishna would still be alive some place somewhere. He also goes on to reiterate on the fact that Hindus and Muslims are one and are in fact brothers of a distant clan!
Like every book has its share of good points, it is but imperative that there must be a few negative traits as well. Unlike Chanakya Chants where there is a direct relation between the events in Chanakya and Chandragupta and the protagonists of the story, this story bears a little or no semblance to Krishna’s side of story. If he really did intend to bring about a relation between the italicized Krishna Story at the beginning of each chapter and its contents, either he failed miserably or I was too dumb enough not to catch the point in it! It is may be in the last few chapters that one would be able to draw a vague connection between the two. For the others, it just plain flew right over the head out of the window!
As a final review, I would say that the book is a great read and must be read by anyone and everyone who is interested in fictional mythology. I am sure, your time and money would be well spent!